FITC’s Ideas in Motion design conference opened in Toronto this week on an intriguing note set by this title sequence crafted by hometown motion studio IAMSTATIC and a cool track by John Black at Cypher Audio. [Watch]
In their “98% Human” spot, PETA made it very clear they don’t allow animals to be used in the filming of their commercials, so it was up to German VFX company Mackevision to make sure Lucky the pig was indistinguishable from the real thing. [Watch]
Elastic: “At long last, Elastic is thrilled to share the Main on End for Marvel’s Ant-Man and The Wasp, from creative director Andy Hall and the team. [Watch]
The pigment used to print the labels onto Absolut’s 2018 limited edition Love bottle are made from the ink stripped from signs and banners gathered at far-right hate rallies on three continents. [Watch]
NY director/designer John Likens (who just won the 2018 Emmy Award for Outstanding Graphic Design and Art Direction for his work on the doc “Blood Road”) reveals how his CG title sequence for “Deadpool 2” came together at Method Studios. [Watch]
Join five students from French animation school MoPA as they reveal their inspiration, process, and the challenges they faced during their nine-month quest to create their multi-award winning CG short “Hybrids.” [Watch]
