“The Great Hack” Opening Titles by Ash Thorp
In his titles for the new Netflix doc “The Great Hack,” director/designer Ash Thorp asks “How do you show data being bought, sold, and weaponized in an artful and meaningful way? [Watch]
In his titles for the new Netflix doc “The Great Hack,” director/designer Ash Thorp asks “How do you show data being bought, sold, and weaponized in an artful and meaningful way? [Watch]
Cool up your summer with a two-minute peek at the stellar motion design, animation, and VFX included in STASH 136 – the latest (and possibly coolest) issue of the Stash Permanent Collection. [Watch]
London designer/director James Brocklebank complements the fine bespoke craftsmanship of UK furniture designers and makers Koop with two films featuring his own talents for immaculate and tasteful CG animation. [Watch]
“Ugly” co-director Nikita Diakur describes “Fighting Gravity,” his latest adventure into low-poly “accidental” animated comedy, as “Machine and me learning to stand up and balance.” [Watch]
Originally intended as a live-action project, Found Studio in London suggested the ambitious scale of this film for Scottish whiskey maker Ballantine’s would be better served with a full-CG treatment. [Watch]
Munich designer/artist/director Florian Renner blends his talents for graphic and 3D design into a striking promotional film for Analog Algorithm, a new design book by German illustrator and designer Christoph Grünberger. [Watch]