The creative freedom that comes with creating trailers and titles for design conferences have established these sequences as the genre of choice for visually ambitious directors. Here are seven that kept our optic nerves tingling in 2019. [Watch]
Brighton, UK CG artist Chris Cousins examines questions of cultural ownership and commodity in the digital age by imagining a museum of the future where access to art of all kinds is strictly controlled. [Watch]
The first in-house film from Ritzy Animation in London is a rampaging holiday tale of Rudolph’s Rocky-style comeback that required two years of toil, sweat, and reindeer grooming in between the studio’s commercial work. [Watch]
Creative director Christian Zschunke at Sehsucht in Berlin: “When Microsoft approached us they were looking for a way to talk to the users of Wunderlist about the discontinuation of the app. [Watch]
Director/animator and 3D technical artist Arnis Vitols in Riga, Latvia: “VIZULO is an architectural lighting company and has invested great resources in research and development to update their flagship luminaire the Stork Little Brother.
[Watch]
Director Karin Fong and the Imaginary Forces crew weave Beauty and the Beast, Cinderella, and Sleeping Beauty into a title sequence full of drama and disquietude for season two of “Tell Me a Story” on CBS All Access. [Watch]
