Few design assignments demand more nuance than setting the tone for what an audience is about to see. Whether in real life or on a screen, the goal is to create the perfect balance between anticipation and revelation. [Watch]
London-based director/art director Vladislav Solovjov, who first landed on Stash in 2018 with this impossible-to-ignore spot for the NFL Pro Bowl, returns with another striking black and white treatment – this time for English duo Hurts (aka Theo Hutchcraft and Adam Anderson) and their track “Wonderful Life”. [Watch]
Films produced for online, social, and point-of-sale distribution have evolved beyond TV advertising’s second-class siblings into a marketer’s most flexible weapon for telling more complex and emotional brand stories. [Watch]
These films represent the ongoing golden age of CG and some of the most innovative designers and directors of what we call 3D Style – a genre Stash defines as a form of digital magic realism fueled by vigorous experimentation. [Watch]
Logan Sprangers, digital and motion graphic artist in Los Angeles: “We, the Gods is a digital vignette reflecting on the relativity of our position in the cosmos influenced by the paintings of René Magritte and Remedios Varo and created with Cinema 4D, X-Particles, and Octane Render. [Watch]
Disguised as a Disney animated feature trailer, this holiday spot for German grocery retailer Edeka – by Anorak director Christopher Riggert and the animation/VFX team at The Mill – packs a powerful environmental message. [Watch]
