"Sweet After Bitter" Broadcast Package by Super Very More | STASH MAGAZINE

“Sweet After Bitter” Broadcast Package by Super Very More

Creative director Kim Youngmin and designer/animator Kwon Doyoung at Seoul motion studio Super Very More kick out a rambunctious and rockin’ animated show promo for Discovery, Korea. [Watch]

"See: Season 2" Main Titles by John Likens and Method | STASH MAGAZINE

“See: Season 2” Main Titles by John Likens and Method

The second season of See, the Apple TV+ sci-fi drama set in a post-virus world where humans are left sightless, opens with this sinuous and sinister sequence crafted by director John Likens and the crew at Method Studios. [Watch]

Hulu "Nine Perfect Strangers" Titles by Antibody | STASH MAGAZINE

Hulu “Nine Perfect Strangers” Titles by Antibody

In their latest series title sequence, Patrick Clair and Raoul Marks at Antibody deploy machine learning software to visualize “a sticky, insidious paradise where shimmering sunshine seduces you into a world of dark hearts and exploitation.” [Watch]

"Starship Troopers" TV Series Spec Titles by Mondlicht Studios | STASH MAGAZINE

“Starship Troopers” TV Series Spec Titles by Mondlicht Studios

From the team at Mondlicht Studios in Germany: “When we heard about the reboot of Starship Troopers from Casper Van Dien, we thought how fun it could be to create titles for the series and decided to depict the moment of battle when fearless soldiers try to capture a monster.” [Watch]

Donerzozo Opens "Your Life is Good" for Haokan Video | STASH MAGAZINE

Donerzozo Opens “Your Life is Good” for Haokan Video

Director/animator Donerzozo in Shanghai, China: “Your Life is Good is the first self-made variety show produced by Haokan Video, which is broadcast simultaneously on Haokan Video and Southeast TV in China every week.” [Watch]

"Blade Runner: Black Lotus" Anime TV Series Titles by John Likens | STASH MAGAZINE

“Blade Runner: Black Lotus” Anime TV Series Titles by John Likens

Director/animator John Likens at Method Studios in New York: “In 2020, when the pandemic hit hard and sent every VFX and design company scrambling to find solutions for working remotely, I got a call from Alcon Entertainment to pitch on a Blade Runner project.” [Watch]