The Netflix feature-Length animated special Hilda & The Mountain King opens with these titles by Giant Ant, a “software-agnostic” mix of 2.5-D and cel designed to “give the audience a taste of what’s to come without any big spoilers”. [Watch]
Few design assignments demand more nuance than setting the tone for what an audience is about to see. Whether in real life or on a screen, the goal is to create the perfect balance between anticipation and revelation. [Watch]
Creative director Karin Fong and the Imaginary Forces crew weave together themes of magic and matriarchy into a grand title sequence for Amazon’s epic fantasy series “The Wheel of Time”. [Watch]
London title specialists Huge Designs set an adventurous tone for a new BBC and PBS edition of Jules Verne’s “Around the World in 80 Days” (starring David Tennant as Phileas Fogg) for UK prodco Slim Film+Television. [Watch]
From the team at Golden Wolf: “It’s not every day that you get to reimagine a pair as iconic as this [Wile E. Coyote and the Road Runner]! Check out this spot we did for our friends at Cartoon Network for their ACME Night slot.” [Watch]
Creative director Mert Kızılay in Istanbul: “Since the market for title sequences is very weak in Turkey, we always consider creating them as passion projects. “In return for the limited budget, the client gave us creative freedom. I presented a few concepts, and eventually, we decided to combine two of them. “We used this quote […] [Watch]
