Based in Santiago, Chile, Crinimo Studio makes their Stash debut with this collage work for Shirley, the Netflix drama about pioneering congresswoman Shirley Chisholm and her 1972 run for president of the United States. [Watch]
The incredible variety of motion work included in the Stash Permanent Collection is a major part of what makes it a vital creative resource, and our latest issue is a perfect example. Grab a peak at Stash 168 with this preview. [Watch]
London’s Huge Designs (whose work we track here) answers the call to communicate the tone, setting, character, and context for the Disney+ TV series Rivals based on the 1980s novels by English author Jilly Cooper. [Watch]
In their latest work for Apple TV+, ECD Mason Nicoll and Digital Kitchen capture themes of grief, loss, and ties to the past in this amorphous and unsettling title sequence for the psychological thriller Before starring Billy Crystal. [Watch]
The London studio of Ignition Creative and Bristol-based director/designer Chris Caswell set a tone of intrigue and mystery for Citadel: Diana, the latest chapter in the Russo brothers’ Citadel espionage TV universe. [Watch]
CD Aaron Becker and the motion crew at Filmograph in Los Angeles (whose titles for The Beekeeper we featured in Stash 164) layer up a menacing atmosphere for the HBO series The Penguin. [Watch]
