For a curator, few things compare to the jolt of excitement when you stumble upon promising talent, especially if their work is still very personal and not yet burdened with the harsh realities of the design business [Watch]
Nikolina Kulidžan was 12 when civil war interrupted her first romance. Her warm, tear-inducing tale of remembrance and reconnection anchors the latest installment in the New York Times’ Modern Love series and features the formidable illustration and animation talents of London’s Moth Collective. [Watch]
In an attempt to show how misunderstood ad folks are in the real world, Saatchi and Saatchi and Campaign Magazine commissioned London directing collective The Line to create these ads to run on billboards around Cannes during the 2015 Lions Festival. They were banned on day one. [Watch]
The bright and bubbly end result of this new :60 from Hornet director Yves Geleyn for Motorola’s new Moto G thru Droga5 belies the mixed-media wizardry happening on set and in post. [Watch]
Self-taught Tokyo freelance director/animator Hiraoka Masanobu first caught Stash’s attention in September 2012 with his mesmerizing work for video sharing social network Sincho.tv. Now he’s back with a personal film, a narrative-free, metamorphic liquid-dream that defies prediction and proves relaxing despite its restless pace.
[Watch]
Check the zany crush of Hanna-Barbera and Cartoon Network characters in these IDs for Tooncast, the 24-hour Latin American classic animation cable channel – written, designed, and animated with obvious love and reverence by the Le Cube crew in Buenos Aires and São Paulo. [Watch]
