Ala Nunu Leszynska, who has appeared in Stash credited as an animator/art director on two films directed by Elyse Kelly (here and here), just released her short film “Ahead”, produced during her first year of the MA Animation program at Royal College of Art in London. [Watch]
Get your spring inspiration on with this two-minute trailer of the 31 new design, animation, and VFX projects packed into Stash 146, the latest brilliant addition to the Stash Permanent Collection. [Watch]
Category 3D Style, Advertising, Animation, Broadcast Design, BTS, BTS, CG, Character Animation, Compositing, Explainer, Featured, Illustration, Motion Design, photoreal, Short Films, Spec work, Student Work, Titles, VFX · Tags Ariel Costa, Bemo, Bullpen, C A T K, Cassie Shao, Electric Theatre Collective, Fernando Domínguez Cózar, Final Frontier, Frame, Framestore, FutureDeluxe, Gabriel & Quemuel, Gabriel Tick, Ian Ruschel, Ink and Giants, Joe Bluhm, Joel Plosz, Joyrider, Jungler, LOOCreative, Marc Eijkelenboom, Marco Prestini, Mighty NIce, MISTER, MIXCODE, MPC, Nash, Neeraja Raj, nerdo, Nexus, Oddfellows, Pascal Schelbli, Post Office Studios, Reuben Sutherland, ROOF, Seed, Six N. Five, Spillt, STATE, Substance, swim, Tarsem, Team Tumult, Tendril, The Mill, Tom Kuntz, TONIC DNA, Trinetix Creative Studio, Vitaly Grossmann
Influenced by David Fincher films and the personal technology revolution, director Dmitriy Glazyrin and the crew at Mondlicht Studios in Germany craft an expansive multi-dimensional film for the Motion Design Awards. [Watch]
Abandoning the trust and vigilance messaging usually required in the cybersecurity category, Kaspersky Lab decides to simply dance its way into your heart with an exuberant green bear named Midori Kuma. [Watch]
Clayton Welham, creative director at Found Studio in London: “It was an honor to be invited by Forward to create the main title film for this year’s program of events. The film comes as a direct response to the design festival – what it stands for and what it’s investigating this year, by way of the virtualization and digitization of our lives.” [Watch]
Feeling more like exposition from a sci-fi film than a corporate explainer, this pristinely rendered CG film by LA director Vasil Hnatiuk for Boston biotech Genoskin shows how keeping human skin samples alive allows biomedical companies to reduce animal testing. [Watch]