New on the Stash radar this morning, Redot Studio in Paris lace up a rampage of mixed media to intro the features and benefits of Puma’s new Future 7 football boot plus the promise that “The future fits different”. [Watch]
In a departure from the exacting style we most recently saw in their Hublot Full Carbon film, Italian CG specialists Ditroit let loose with a tower of cushiony chaos, a cheeky metaphor for the “Play Smooth” power of Nike’s LeBron 19 shoe. [Watch]
In a meditative six-minute deconstruction of their R&D-based design process, CD Clayton Welham and the team at Found Studio in London build an exhibition of digital art to “explore what sensation, feeling, and emotion might look like.” [Watch]
Hard on the heels of their fabulous holiday spot for Devialet (featured in Stash 163), the crew at Munich animation/design studio TACTYC delivers three fashion-first films for luxury accessories and ready-to-wear brand Michael Kors. [Watch]
Director Jie Liou and Taipei studio Floating Point Art (who recently dropped their first in-house short film Origin) are back with more meticulously crafted CG in this spot for Taiwanese luxury food brand Rivon. [Watch]
London’s TOMASZEWICZ studio, whose CG powers consistently delight in both personal films like Power Junk and commissioned work like Fila Kids, just released their newest motion experiment called Past Time Rush. [Watch]
