Best of Stash 2019: 3D Style | STASH MAGAZINE

Best of Stash 2019: 3D Style

The popularity of what we might call CG magic realism continued to expand in 2019 as more creators and clients embraced the power of hyper-real 3D to transport viewers to surreal and abstract worlds with spellbinding clarity. [Watch]

Best of Stash 2019: BRAND FILMS | STASH MAGAZINE

Best of Stash 2019: Brand Films

Longer-form marketing films unhampered by the limits of broadcast TV allow for deeper narratives which in turn often inspire forceful and innovative visuals. Here are eight brand films from 2019 we believe live up to that promise. [Watch]

Best of Stash 2019: EVENT FILMS | STASH MAGAZINE

Best of Stash 2019: Event Films

The creative freedom that comes with creating trailers and titles for design conferences have established these sequences as the genre of choice for visually ambitious directors. Here are seven that kept our optic nerves tingling in 2019. [Watch]

DarkAge2.0 short film by Chris Cousins | STASH MAGAZINE

Pondering the Future of Art and Media in “The Dark Age 2.0”

Brighton, UK CG artist Chris Cousins examines questions of cultural ownership and commodity in the digital age by imagining a museum of the future where access to art of all kinds is strictly controlled. [Watch]

Microsoft Change brand film | STASH MAGAZINE

Sehsucht Berlin Helps Microsoft “Change”

Creative director Christian Zschunke at Sehsucht in Berlin: “When Microsoft approached us they were looking for a way to talk to the users of Wunderlist about the discontinuation of the app. [Watch]

VIZULO Stork Little Brother product film | STASH MAGAZINE

Beautiful CG Product Film by Arnis Vitol for VIZULO “SLB”

Director/animator and 3D technical artist Arnis Vitols in Riga, Latvia: “VIZULO is an architectural lighting company and has invested great resources in research and development to update their flagship luminaire the Stork Little Brother.
[Watch]