Alberto Mielgo (aka Pinkman), who recently directed the spectacular “Witness” episode of Love, Sex, and Robots on Netflix, burst onto the Stash radar back in 2010 with three short films and ended up on the cover of Stash 66. [Watch]
Mill+ artist Maxim Goudin packs plenty of style and intrigue into “Ghost Writer Sequence #1,” a personal project he describes as a “proof of concept of some sort. Hopefully a teaser to something more interesting.” [Watch]
Mark Lindner, director at Panoply in London: “Through hypnotically crafted anthesis, Tide is an ever-evolving composition that challenges us to visually retain the present moment, while simultaneously creating anticipation for the next. [Watch]
Seoul branding and motion studio BICTURE adds a fresh spin to local election coverage on South Korea’s SBS network by constructing light-hearted geometric interpretations of cities across the country. [Watch]
One of the most delightfully strange music videos we’ve seen in a decade, “Hesperius Draco” was crafted by Seattle CG artist and director Richard Lord for Brussell’s based musician Alessandro Parisi.
[Watch]
The formidable 3D team of Alexa Sirbu and Lukas Vojir are back with an intricate and abstract piece for the London Symphony Orchestra driven by motion capture of the LSO’s music director Sir Simon Rattle. [Watch]
